All posts by mhanlon

Review: The Death of Bees

The Death of Bees
The Death of Bees by Lisa O’Donnell
My rating: 4 of 5 stars

This is a great little story about parents getting murdered (just plain dying? Suicide?) and their two resilient girls burying them in the back garden, which is, apparently, pretty representative of what happens in Glasgow all the time. And their next door neighbor, who sorts of takes the girls in under his wing. Oh, and he was convicted of pedophilia (paedophilia for them Scots) for soliciting an underage male prostitute in the park.
I really enjoyed the interwoven narrative from each of the main characters — Marnie, the eldest daughter and Nelly, her preternaturally bright and aloof ward by default, and Lennie, the next door neighbor living out the last days of his life. Each one of them have something to hide — from each other, from themselves, from the outside world — and the book is a kind of cozy mystery where certain things get revealed and lit from different angles pretty masterfully, I thought. Like swimming in a murky local pond, with all of its organic material making the waters difficult to see through, until you see the shaft of light ahead, lighting up that boat that sank when you tried to float it years ago.
The characters were a great bunch with whom you could spend a bit of time, sharing their secrets and getting swept along in the book.

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Review: The First Fifteen Lives of Harry August

The First Fifteen Lives of Harry August
The First Fifteen Lives of Harry August by Claire North
My rating: 5 of 5 stars

I loved this book.
I’ve always loved this book.
Each and every lifetime in which I’ve read it.
In fact, I loved it so much that the next time through I visited Claire North (pseudonym) in 2005 — it took me a while to find her pseudonymous self — and handed her a partial outline of an idea for a book about a kalachakra, a person who lives their lifetime over and over again.
She told me she’d already gotten an idea like that and called her patent lawyers.

So in my next life I tracked her down more quickly, came prepared with better notes. Saw her in 1990. Dropped off my scribbled notes in her school bag on a fine Scottish morning. The sensation of a five year old publishing a book which such a fun, imaginative plot and ripe characters made ripples that probably caused some odd things to happen downstream through the ages, but at least I got to read it earlier.

In my next life I tried giving the same notes to her father, but nothing came of it. He didn’t care for the visceral descriptions of the tortures Harry August endures, yet endures with a type of detachment. The next after that I tried it out on her mother in 1981, but that, too, had no effect. The very next life I tried publishing the book myself, which is when the publisher pulled me aside, in the grimy halls of the printing room.
“You can’t publish this book.”
“Why not?” I may have stuttered a little.
He peered at me over the top of his glasses, which never seemed to sit well, as if the cloud of ink in which he seemed to walk prevented his glasses from adhering to his face.
I flapped the manuscript.
“Claire wants you to know that she knows.”
“But… but she hasn’t even been born yet.”
The publisher simply looked at me, his hand held out for the manuscript.
“Aw.”
“Is this the only extant copy?” He waggled his fingers at the manuscript I could tell was already slipping out of my hand. “Don’t lie, now, she’ll know. You know she’ll know.”
I nodded, and handed over the pages and skulked off and just waited and waited and waited until 2014, when the book would finally be published.

Except I didn’t have to wait. Because I had one last copy because I’d spent the previous life memorizing the book and read it over again in my mind. In fact, I even wrote this review back in 1978, I just had to wait and wait for someone to come around and invent Goodreads.com.

I thought the plot was a lot of fun, the characters an excellent cast with whom you could spend a few lifetimes. There were beautiful moments when kalachakra meet each other in passing (Joseph Kirkbriar Shotbolt’s story is a good one — ‘”Oh God,” he groaned, seeing me read. “You’ve trained as a doctor, haven’t you? Can’t stand bloody doctors, especially when they’re five years old.”), the mysterious Cronus Club saving its members, and sometimes not. The book was a spy novel, a time travel novel, a story about a couple of friends. What a fantastic read.

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Review: Nest

Nest
Nest by Esther Ehrlich
My rating: 4 of 5 stars

I got an advance copy of this book through NetGalley. It was written by a fellow Vassar grad and I had just returned from the Cape with the kids, so maybe I was hoping to rekindle some of the magic.

I thought this was an excellent book — Ms. Ehrlich drew the various relationships that intertwined and grew and changed throughout the story very well. At the end of it all you felt like you’d been on quite the journey with these folks.
The narrator’s voice was strong, not too naive and the author did an excellent job of respecting the reader, be they an adult or the middle-grader (at whom the book is pitched). The only time and only quibble I had with the book was the incessant beating of the 1972 drum — for a brief span it distracted me, the constant references to bell bottoms, to “the episode of I Love Lucy where Lucy and Ethel work in a chocolate factory,” the lava lamps, and President Nixon. But that was the only flat note for me and maybe it’s more of an instructive history lesson for younger readers. Otherwise the setting, local color, emotional ups and downs and worries of a young kid were all so well done.
There was one scene in the book where Rachel, the older daughter, sees her mom, who’s been suffering from the serious disease mentioned in the book description, after some time and the daughter’s “voice is slow and shaky, like she’s afraid she has the wrong answer to a math problem.” I thought that was a wonderful way of couching an emotional reaction in the younger sister’s language of stress and worry.
Now, it’s been a while since I’ve read “A Bridge to Terabithia,” one of my favorite books as a kid, but I did find myself thinking about that book, wanting to go back and see if it was just as poignant and powerful as I remember it being, while I read this one. I’ll have to let you know how that comparison goes if I do go back to it, but this story stands well on its own right.

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Review: Sandman Slim

Sandman Slim
Sandman Slim by Richard Kadrey
My rating: 4 of 5 stars

I enjoyed this story, the characters, the voice of Sandman Slim, and the action, for the most part.
I’m not normally a hardcore fantasy person: I don’t go for the straight up magical, I generally need it cut with a little realism. But I’d heard good things about this series and Richard Kadrey’s writing, so I figured I’d give it a shot. The book starts out with very little magical stuff — besides the guy returning from Hell. Slim navigates Los Angeles some fifteen or so years after he’s left and he’s back to hunt down some of his old gang who let him down. In fact, I forgot that the book was supposed to be more in the fantasy genre until the prospect of a magic circle popped up. When it did, and other magical things were referenced, almost ad nauseum, I did get jarred out of the story for a little bit, my suspension of disbelief rattled a bit. But I stuck with it, the magical stuff sunk to the background again and Kadrey’s story telling took over again.
I think I might come back to the series for those flashes of humor, the hard-nosed voice of a man who’s been, literally, to Hell and back, and Kadrey’s dark vision, and just be ready to skim when the fantastic — the type of fantastic elements that make it too easy or just a little too ludicrously difficult for our hero — rears its eight-eyed, fire-breathing, lizard pelted head again.

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Review: The Last Girlfriend on Earth: And Other Love Stories

The Last Girlfriend on Earth: And Other Love Stories
The Last Girlfriend on Earth: And Other Love Stories by Simon Rich
My rating: 4 of 5 stars

Damn, Simon Rich has written some fun stories.
A few of these, the best, I’d say, I’d heard on the Selected Shorts podcast, read aloud at Symphony Space in New York. My favorite in the bunch is “Unprotected,” the story of a condom, told from the point of view of the condom. “Center of the Universe,” about God’s relationship during the course of Creation is another sparkling story.
There weren’t too many dead notes in the bunch (I didn’t like “Occupy Jen Street” when it was read on Selected Shorts, either, “Children of the Dirt” is a little dull), and most of the stories sing out. Some weren’t quite dead, they were just less entertaining, a little more empty (“Setup,” the story of being set up with a troll was a funny premise but fell a little flat for me, “Victory” was cute but, again, just left me feeling a little hollow, like I’d eaten cotton candy or something).
If you get a chance, go listen to them on the podcast, and grab yourself a copy of the book for other little gems like “When Alex Trebec’s Ex-Wife Appeared ohm Jeopardy” and “NASA Proposal.”

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Review: Twentieth Century Man

Twentieth Century Man
Twentieth Century Man by Michael Joyce
My rating: 4 of 5 stars

This book reminded me of Joseph O’Connor’s “Ghost Light.”
You’re faced with an unreliable narrator in both, someone who’s been marginalized by society by their age and sheer bloody-mindedness of continuing to exist, possibly long after they have.
Joyce forces this shriveled old professor, Cy, with all his warts and naked gooseflesh onto center stage, which is a very uncomfortable place for him to be as he attempts to reconcile just what it was he saw in the woods: was it the dead body of his assistant’s lover? Or was he hallucinating, an old man driven mad by his sometimes cruel aide?
Moreso than Ghost Light you — and the book points out at the second person perspective, which I’m normally not a big fan of, but it works, in this case — are dropped in the same muddle as the narrator. This makes the book a bit thicker read than Mr. O’Connor’s, it’s a little tougher to get into, but the effort is well worth it.
The bit players in the drama round out the book. The caretaker of the cabin in which the narrator takes refuge, the local policeman who stops by to check on things and rough it up with the caretaker, Cy’s daughter, the sadistic assistant Cy is saddled with for his language work at the university, the dead/not-dead boyfriend, the shade of Cy’s departed wife, who sailed off into the sunrise some time ago and continues to haunt his days.
It’s a beautiful book about aging, loss, with a slow simmering mystery on the back burner the whole time. It’s not quite the fact-paced thriller whodunit, it’s more of a thoughtful examination of a life. Worth the read.

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Sauteed Rainbow Chard with Garlic and Lemon

I don’t know if this is a thing I do now, but I tell you, I was really happy with this dinner tonight… and so, in the spirit of Christmas, I thought I’d share it with you.

Roast Pork Loin, Rainbow Chard, and Garlic Mashed Cauliflower
Roast Pork Loin, Rainbow Chard, and Garlic Mashed Cauliflower

 

Roast Pork Loin

From: Menus For Moms

Ingredients

  1. 1 tsp minced garlic
  2. 2 tsp marjoram
  3. 1 tsp salt
  4. 1 tsp dried sage
  5. 1 (about 4 lbs.) boneless pork loin roast

Directions

  1. Preheat oven to 350°F. Mix together all seasonings; rub over pork. Place in a shallow roasting pan, preferably sitting up on a roasting rack. (If you do not have a roasting rack that fits in your pan, try rolling up pieces of aluminum foil and laying the rolls across the pan like a rack.) Bake, uncovered, for about 1 hour and 20 minutes or until a meat thermometer reads 160° F. Let stand for about 10 minutes before slicing.

 

Sautéed Rainbow Chard with Garlic and Lemon

Ingredients

  1. . 1/2 cup extra-virgin olive oil
  2. . 3 large garlic cloves, thinly sliced
  3. . Salt and freshly ground pepper
  4. . 1/2 teaspoon finely grated lemon zest
  5. 4 pounds rainbow or ruby chard—thick stems discarded, inner ribs removed and cut into 2-inch lengths, leaves cut into 2-inch ribbons

Directions

  1. In a large pot, heat 1/4 cup plus 2 tablespoons of the olive oil. Stir in the garlic and cook over moderately high heat until lightly golden, about 1 minute. Add the chard leaves in large handfuls, allowing each batch to wilt slightly before adding more. Season the chard with salt and pepper and cook, stirring, until the leaves are softened and most of the liquid has evaporated, about 8 minutes. Transfer the chard to a bowl. Wipe out the pot.
  2. Add the remaining 2 tablespoons of olive oil to the pot. Add the chard ribs and cook over moderately high heat, stirring occasionally, until crisp-tender, about 5 minutes. Stir in the wilted chard leaves and season with salt and pepper. Transfer to a bowl, sprinkle with the lemon zest and serve right away.

 

Garlic Mashed Cauliflower

Ingredients

  1. 1 head of Cauliflower
  2. Garlic cloves (whole)
  3. 2 tbsp butter

Directions

  1. The first thing I did was to fill up a large stock pot with an inch or two of water. I put the pot on a burner set on high, dumped in a steamer insert, and put on the lid.
  2. Once I was done prepping the cauliflower and garlic, the water in the pot was boiling, so I dumped in the stems, half of the florets, and all of the garlic and salted everything liberally.
  3. Once the florets are soft, I dumped everything into a colander and let it drain.
  4. Once drained, I threw everything into my Cuisinart.
  5. and two tablespoons of butter (grassfed, of course).
  6. Final step: I processed everything until smooth.

A story about “Will Not Attend: Lively Stories of Detachment and Isolation”

by Adam Resnick


Will Not Attend is a little like getting invited to dinner with Adam Resnick. He has the seat of honor at the head of the table, and he’s got a crazy leer on his face, like he’s about to do something unspeakable to the mashed potatoes or the roast chicken.

So you take your seat, with a little apprehension, because you’re not so sure you’re going to like what he does with those mashed potatoes, that crazy grin. You notice the restraints on the chair you’re about to sit in.

“Don’t worry,” says the maitre’d, “those aren’t for you.” But that’s exactly the sort of thing that makes you worry more.

As you sit and the maitre’d sinks back into the shadows you notice that Mr. Mesnick actually has two heads… No, good God, three! It’s like you’ve been let into a freak show tent where they serve dinner. Each one had a different, maniacal grin. One, the younger one, has a frightened rabbit of a grin, likely from living in and amongst a slew of brothers and a steamroller of a trip of a dad. The second has a more innocent smile, though you get the sense that that second head is thinking about, at first, what items from the back of a comic book he was going to send away for and how he’d organize them on his bureau when they arrived, but then started to think of girls and sex and all the rest. The third is an older, more hardened grin as if it’s just eaten a mouthful of tacks by accident but, by God, it’s going to muscle through and eat them and seem to enjoy it, damnit.

The second head begins speaking first, telling you some story about an Easter egg hunt and a conspiracy between two young kids, a girl and a boy… and you begin to get where it all went off the rails for this head. The first head interrupts the second, and then the third starts, as if just awakened, and soon they’re all going, each telling a different story, sometimes overlapping, oftentimes not.

But you’re not tied into the chair, and the maitre’d, or someone, keeps bringing another glass of wine, or beer, or sparkling flavored water, so you stick around. You haven’t opened your mouth since you arrived, your tweed jacket with the professorial patches on the elbows still on, something the maitre’d forgot to take from you.

Despite his neurotic, somewhat abrasive personality, you like this guy, you like his stories. He tells them with humor, self-deprecating at most times. He’s got them down to a science, by now, so that they flow naturally, and even the multitude of heads talking over the course of the evening doesn’t seem odd or awkward, just a natural, rambling flow. You get the sense that, were you to sit down next to this guy in a bar, this guy with three heads, that he’d be a miserable bastard, sitting on his own, in silence, looking out at everyone in the bar through hooded eyelids, maybe grumbling obscenities to himself, clutching his plastic bag from The Strand. But this special performance, here at his table, is where he shines, where he feels most comfortable and, warts and all, he’s pretty damn entertaining.

I got this book through Penguin’s First to Read program (http://www.firsttoread.com). While I enjoyed the book, I didn’t quite enjoy the ebook reader I had to use (Bluefire Reader on my iPad — hence the tweed jacket with the elbow patches, eh? Look at me, all fancy with an iPad. ). Whether it was a limitation of the app or because of a limitation the publisher set on the content I couldn’t take notes, notes which would have made this review at least 14% more amazing. The app also crashed on me a few times and forgot my bookmark when I came back to reading. So Bluefire, 1 star, this book, 4 stars.

A story about “Marco Polo Didn’t Go There: Stories and Revelations from One Decade as a Postmodern Travel Writer (Travelers’ Tales Guides)”

by Rolf Potts


I got this book as an ebook. I saw some chumps, sitting there in a cafe, attempting to read books in actual book form and I scoffed to my slightly grubby self. I’d been hunting in the outback for days for this book, cobbling together the contents from purloined internet signals while I was driving the Outback Google Maps Street View car. Chapter twelve got stuck in my dreadlocks, which had formed from all the dust and filth accumulated whilst driving around, trying to hold the street view camera and WiFi signal stealer in place.

I was being authentic, man. If I was going to read a book I was going to make sure I was a reader, not just a letter recognizer, like most of the chumps out there. But once I had my ebook I was just, like, sitting in a car, driving around the outback, careening around the odd kangaroo, sacred stone, drop bear. I was unsatisfied. I felt like a ritzy reading magazine version of a reader. Well that’s not what I’m all about.

So I took the ebook on a plane. Not just on a plane, like on the inside, like a lot of chumps, but I taped the iPad with the ebook on it to the outside of the plane. Picked it off again in Egypt, where I struck out for the desert. Four days in I sat down with my iPad to read the book. But I’d been playing Angry Turtles while I was walking to get well and truly lost, so my battery had run dead. So I walked back to civilization, recharged my batteries. Then I headed back out into the wilderness. This time I played less Angry Turtles and more ASCII Art Ninjas, which is way easier on the battery.

I wound up in the White Desert, and, after a bit of a struggle, got myself perched on top of one of the white rock pillars, where I could idly throw stones at passing camel caravans and read my book, like a real reader. So I did. But then, after getting through chapter one, then chapter two I began to think I was reading it all wrong. I mean, *any*one can read a book from start to finish. But to really read something I would have to strike out into the woolier passages without a guide, without any idea where I really was. I started just reading every other letter on a few pages, then jumped to a random page, read the third and seventieth letter on the page. But I wanted more. So I began reading with my eyes closed for an even more authentic experience. I achieved such an amazing reading of this book that I probably levitated. I couldn’t tell because I had my eyes shut, but I’m pretty sure I had. Oh, I also met a Danish girl and a Latvian skinny tall guy who plays the guitar and sings opera for a lark floating on nearby stone pillars, which was cool. Ha HA! Andorrrrrrra!

The endnotes in the ebook version were interesting, in that you expected just yet more navel-gazing, and so weren’t disappointed or looking for much more. And a few of the notes provided some small insight into a travel writer’s process and the business. But the main articles, all stuck in one concentrated, Rolf-y blob, were a bit too much to stomach. I suppose it’s the danger of travel writing — you tend to travel with yourself, and some part of you becomes the story, because you’re telling about your travels in your voice. I don’t know if I just didn’t get on with Rolf or what, I didn’t enjoy his projects, his desperate need to be more than tourist. I’ve enjoyed plenty of travelogues, from Bill Bryson to Douglas Adams to Laurence Sterne. Just not this one.

A story about “Flood”

by Andrew Vachss


I’m conflicted. This is a book that was recommended to me at the same time, in the same breath, as Joe Lansdale’s “The Bottoms,” which I loved. Andrew is cut from the same cloth, hell, Joe often calls Andrew Vachss his brother. And Burke seems like a great character… a hard-boiled, troubled yet brilliant private investigator with a strong moral compass. I just, I don’t know what fell flat for me.

Maybe I had built the book up too much in my own mind, as it sat on my nightstand, waiting for its turn up, the designated heavy hitter to be brought in when I wanted a sure thing. I found Burke interesting, Flood and her quest a great story-driver, but I found myself getting really frustrated with the book. I thought that the book got stuck in these little eddies again and again that it really needn’t have. I had to keep reminding myself that I was reading a book whose formula has been copied to death since it came out in 1985, but that was part of the frustration for me, I never felt like I wasn’t reading a book, I didn’t ever get lost in the story for too long a stretch.

It reminded me a lot of Ken Bruen, and not in a good way. He has the same way of having the protagonist preach at you a little bit, it’s just a little bit too self aware for my tastes.

I think I’ll give Vachss another shot, after this one, but I’m hoping to get lost in a Burke adventure, instead of being constantly shaken out of it like with this one.